Thursday, November 29th, 2012
8:00 pm
Chris Isaak
Beyond the Sun Tour
with holiday favorites
Thursday, November 29th at 8:00 PM
Tickets On Sale Now
Available at the Box Office, Charge by phone at
417-863-9491 or BUY TICKETS HERE
Chris Isaak will perform hits and classics from “Beyond the Sun” with some holiday favorites live at the Gillioz Theatre on Thursday, November 29th. Tickets are on sale this Friday, August 17th at 10:00 AM.
Chris Isaak has finally created the album he’s always wanted to make. Beyond the Sun, Isaak’s first Vanguard Records release is truly a labor of love. As a child spinning his parents 45s in their Stockton, California home, this deeply committed artist has been obsessed with the glory days of Memphis’ Sun Studio and the visionary artists who got their starts there-including Elvis Presley, Johnny Cash, Roy Orbison, Carl Perkins and Jerry Lee Lewis-all of them discovered and nurtured by the late, great Sun Records founder Sam Phillips.
Now, at long last, Isaak has acted on this lifelong obsession, magically recapturing the transformative hepcat brilliance of the classic sides cut by these greats at Sun with Phillips during the mid-’50s, while also getting down to the heart and soul of his own deeply rooted musical identity.
“I did this because I love this music-that’s the entire reason,” Isaak explains, advising, “you gotta listen to the original ones-they’re classics – they’re awesome but you can have fun with them. These guys discovered this music for us and we had to rediscover it. There’s no way to do it exactly like they did it, so you’ve gotta give a little bit of your own take on it.”
Considering how unmistakably Isaak’s own music has been inspired by that of the Sun greats, particularly Presley and Orbison, the obvious question is, what took him so long? “When I started making music, I thought that if I do those songs, where do I go from there?” he says. “I wanted to make sure I found my own sound and established who I was. But I always loved that music and I wrote songs in that spirit. You can go through all my songs and you won’t find one reference to goin’ to the bop. They’re about my life, not about nostalgia for the ’50s. I came to a point where I felt like the time was right to do this record. I’d met all my heroes and worked with most of them, and I didn’t hear anybody else doing it the way I wanted to do it.”
“There’s just something about my band that was really right for it, because they all love that kind of music” Isaak points out. “I’ll tell you somethin’: everybody thinks early country is easy to play. It’s not easy. It’s just as hard to play as, like, abstract jazz fusion or anything else. It’s got a feel, and if you get the feel wrong, everything’s wrong. And I don’t think you could find a better rhythm section than mine for playing this music anywhere. Kenney is the shuffle king. And on top of that, Scotty, my piano player, just nailed this stuff. I really don’t think there’s anybody who could play it any better.”
Elvis is heavily represented on this handpicked collection, with “Trying to Get to You.” “I Forgot to Remember to Forget”, “Can’t Help Falling in Love”, “How’s the World Treating You”, “It’s Now or Never”, “She’s Not You” and “My Happiness” – the first song Elvis ever recorded. Isaak opens the set with Cash’s “Ring of Fire”, and later offers his take on “I Walk the Line.” He wails his way through Jerry Lee’s “Great Balls of Fire”, revisits Orbison’s “So Long I’m Gone”, and heats up Perkins’ “Dixie Fried.” The standard set is rounded out by a blistering rendition of “Miss Pearl” by the nearly forgotten Sun artist Jimmy Wages. The second disc, which starts out with the one-two punch of Presley’s “My Baby Left Me” and Orbison’s “Pretty Woman”, also contains the treasure “Everybody’s In The Mood” by Howlin’ Wolf. Clearly, this guy knows the Sun catalog inside out.
Both before and during the sessions, Isaak was inspired to pen some original tunes in the spirit of these sacred texts. One of them is “Live It Up”, which could easily be mistaken for some just-discovered Rick Nelson gem from 1957, complete with James Burton-style kickass guitar licks. It’s hardly surprising that this wild-haired rocker was chosen as Beyond the Sun’s first single. “When we were doing the record, I kept learning things,” says Chris. “For instance, nothing on those early records has a rock beat-it’s all shuffle and stripper beat. I wrote ‘Live it Up’ to put a rock beat on the record, so that that beat too is represented.” The second disc contains another Isaak composition, “Lovely Loretta”.
In his amusing and informative liner notes, Isaak provides plenty of detail about the project. “After making a lot of records of my own, I finally got to make this album of all the tunes I have been singing and playing at practices and soundchecks and in my house all these years,” he writes “I took the band to Memphis to record at Sun Studio; it’s still a recording studio and it is an AMAZING room! We recorded in the late afternoon and stayed up ’til way too late and we had a ball! We played, not worked…we really went for the style of recording that was used on those records early on. We were all playing in the room together, nobody had any headphones, we just listened to each other and went for it. We cut way more music than we intended…we just couldn’t and didn’t want to stop. It’s the most fun I ever had making a record.” Chris noted, “We called the record Beyond the Sun because the music starts at Sun Studio and just keeps growing and going. I think Mr. Phillips would have understood.”